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THE CHALUKYAN ARCHITECTURE
The Chalukyas (c.450 AD to c.650 AD) constructed several
stone-built shrines and temples at Aihole, which are mostly Hindu but a few are Jain. Aihole was the town of temples consisting of
nearly seventy buildings. The temples had flat or slightly sloping roofs and were
surmounted by a small shikhara. Later, a
pillared assembly hall or mandapa was added to
these structures, indicating a further evolution of temple architecture. The Ladh Khan and
Durga temples at Aihole are the best specimens of the Chalukyan architecture. The Chalukyan Architecture is a juxtaposition of
Indo-Aryan and Dravidian styles in the temple architecture, and is sometimes referred as
the Vesara style of architecture. It is
evident that during the Chalukyan period the rock-cut method was slowly superseded by the
use of stone masonry. The Chalukyas also constructed four rock-cut pillared halls at
Badami in the later half of the 6th century AD, three of which are Brahmanical
and one is Jain. The final phase of the Chalukyan Art is represented by the temples of
Pattadakal (7th century AD). The Chalukyan rulers Vijayaditya (696-733 AD) and
Vikramaditya II (733-746 AD) were instrumental in perfecting the style of architecture of
the Pattadakal temples. Of the ten major temples at Pattadakal, four follow the Indo-Aryan
style (Papanath Temple, Jambulinga Temple, Karsedeshvar and Kasinath temples) and six
follow the Dravidian style (Sangameshwar, Virupaksha, Mallikarjuna, Galagnath and
Sunmeshwar Temples and the Jain Temple).
||Introduction||Temple Architecture|| Cave Architecture||Rajput Architecture|| Jain Architecture || Indo-Islamic Architecture||Colonial Architecture||Modern Architecture||Sculpture in India||World Heritage Sites|| ||Famous Architects & Sculptors of India||
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