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Temple Architecture Of India
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SOLANKI STYLE OF ARCHITECTURE
The Solanki style of temple
architecture that flourished in Gujarat has all the essential features of a north Indian
temple, but bears the closest affinities to the Rajasthan style. On plan, it consists of a
sanctum, a closed hall and a porch that are inter-connected internally and externally. The
wall faces are broken by numerous indentations, projected and recessed alternately, which
are continued along the elevation, producing a pleasing contrast of light and shade. In
larger temples a detached peristylar hall is added in the same axis, often preceded by a torana or ornamental arched entrance. In rare
cases the hall has more storeys than one. The temple at Sunak (10th century),
Sun temple at Modhera (11th century), the Vemala Temple at Mount Abu (11th
century) and the Somnath Temple at Kathiawar (12th century) are some of the
best examples of this style of architecture.
THE CHANDELAS
The Chandelas
of Jijihoti or Bundelkhand were known as great builders during the l0th-11th centuries. It
is they who built the temples at Khajuraho justly famous for their graceful contours and
erotic sculptures. These 22 temples (out of the original 85) are regarded as one of
world's greatest artistic wonders. The
Khajuraho Temples do not illustrate a development over a long period of time but were
built within a short period of hundred years from 950-1050 A.D. The Khajuraho Temples have
highly individualistic architectural character and are generally small in size. Each temple is divided into three main
compartments - the cella or garbha griha, an assembly hall or mandapa and an entrance portico or ardha mandapa.
Some temples also contain the antarala
or vestibule to the cella and the transepts
or maha-mandapa. The Kendriya Mahadev temple is
the largest and most beautiful of the Khajuraho Temples.
The Shiva Temple at Visvanath and the Vishnu Temple at Chaturbhanj are other
important temples at Khajuraho.
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