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Home >> Literature
of India >> Bengali
Literature >> Bengali Poetry

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Bengali
Prose|| ||Gems of
Bengali Literature||
||Rabindranath
Tagore's Literary Repertoire||
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The
Bengali literature originated from the classical Indo-Aryan
Sanskrit language and literature. But the influence of other
non-Aryan languages on Bengali cannot be ignored. It is also
believed that the Bengali literature was also influenced by Kol
and Dravidian (the Santhals,
the Malers, the Oraons) and the Boda and Mon-Khmer speakers in the northern and
eastern frontiers. Professor Nihar Ranjan Roy concludes in his Bangalir
Itihas: Adiparba that "... in addition to Sanskrit, there
were two other languages in vogue in Bengal in the 9th and 10th
centuries: one was derived from Souraseni and the other derived
from Magadhi. The latter is said to have evolved later into
Bengali".
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BENGALI
POETRY
Bengali
literature has its roots in poetry. Folk tales collected from famous
stories or themes composed by "Kobials"
or folk poets and Bauls or
street singers had long caught the imagination of the captive
audiences in the rural areas. These folk tales laid the foundation
for modern poetry in Bengal. The Caryas
or the mystic and religious songs discovered by Haraprasad Sastri in
1916 from an old manuscript in Nepal represents one of the earliest
forms of Bengali literature. Jayadev
was one of the earliest and the most famous Bengali poets. His
masterpiece Geet Govinda
remains a fitting testament of the classical Puranic traditions of the Vaishnav
poetry. In the 12th and the 13th centuries a
new kind of religious literature emerged, which gathered its themes
from popular tales, and came to be known as Panchali
or Mangala literature in
Bengal. Examples of
this form of literature are afforded by Krttivasa's Sri
Rama-panchali (15th century), Maladhara Vasu's Sri
Krishna Vijaya (1480), Vipradasa of Manasa-vijaya
(1495) and Vijaya Gupta's Manasa-mangala
(1494). The Dharma-mangala
poems of the 18th century also fall in this category. The
Chaitanya Movement also led the emergence of long narrative
devotional poetry. Examples
of this kind include Murari Gupta's Kadcha, Paramananda Sena's Chaitanya-chandrodaya
and Chaitanya-charitamrata,
Vrindavana Dasa's Chaitanya-bhagavata,
Madhava Acharya's Sri Krishna-mangala
and Syamadasa's Govinda-mangala.
Later, Madhusudan
Dutta introduced blank verses and sonnets and presented to
the world his masterpiece epic poetry Meghnad
Badh Kavya, making a true beginning of modern Bengali poetry.
Bengali poetry reached its peak in the hands of Nobel laureate Rabindranath
Tagore, whose book of lyrics called Gitanjali
translated into English by himself earned him the Nobel Prize in
1913.
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